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By N. Y.) Metropolitan Museum of Art (New York

E-book by way of Metropolitan Museum of artwork (New York, N. Y.)

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Extra resources for A Guide to the Wrightsman Galleries at the Metropolitan Museum of Art/E0720P

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R / 'l>fa,|fcl B- , J . heWwCs < i| pjm * 2, ptw* 3P >n/h, - ho f (cvvjfc*^ cr 6MJ~ object. Beginning Exercises & Basic Techniques 23 away from your drawing hand and work page and your subject simultaneously and not have to continually shift your vision or get a crick in the neck from bending over a flat drawing surface. 3. Match pencil lead or ink tool with grade of paper. Sometimes students smudge that direction. 4. See geometric shapes within forms before seeing detail. It is easiser to get proportions when you are working with more than just outline.

With a sketch you can get rid of the clutter of a photograph; the sketch really shows more the essence of the subject. "* ues, find I . 11. it . museum study mounts and Sketch from skinned specimens. It is a valuable experience to sketch from museum mounts and skinned specimens. This provides the opportunity to look in detail at an animal's features without worrying that it will move. Be aware that these mounts may be old, that the taxidermist may have stuffed the animal into a position that is not strictly and that the feather or fur alignno longer in place.

Look at your object and your paper simultaneously. Do not pause to judge or erase; just draw over and go on. These sketches can take from three seconds minute you are ready to finished degree. Do ing, if any to one Erasing can be done later when to do. develop a study to a more not bother with much shad- at all. Gesture sketching was done a great deal by the master draftsmen throughout the history of Look art. sketches the at Rembrandt, Delacroix, Michelangelo, of Van Gogh, Ingres, Cezanne, Picasso, Tiepolo, or Degas for methods in sketching.

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