By Neil Postman
In a sequence of feisty and eventually hopeful essays, one among America's sharpest social critics casts a smart eye over modern tradition to bare the worst—and the best—of our conduct of discourse, traits in schooling, and obsessions with technological novelty. Readers will locate themselves rethinking lots of their bedrock assumptions: may still schooling transmit tradition or safeguard us opposed to it? Is technological innovation development or a primarily American habit? whilst everybody watches an identical tv programs—and tv manufacturers don't discriminate among the audiences for Sesame road and Dynasty—is adolescence whatever greater than a sentimental notion? Writing within the traditions of Orwell and H.L. Mencken, Neil Postman sends surprise waves of wit and important intelligence in the course of the cultural wilderness.
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Extra info for Conscientious Objections: Stirring Up Trouble About Language, Technology and Education
21 This was a challenging enterprise, for predictable reasons. This early group of students of color were not fully “integrated” into the ﬁlm school—they stood apart as a separate group. They had a separate stream of funding (Ford Foundation) and set of equipment purchased for their use (which some other students perceived as superior to the department’s regular equipment). Like so many others on the front lines of desegregation, the sheer presence of these students created discomfort for white students and faculty.
For example, Alile Sharon Larkin focuses on the consciousness of a child to suggest that the success of a Pan-African struggle hinges on investment in the next generation. Your Children Come Back to You is about the conﬂict between resistance and assimilation, broadly understood. Tovi (played by Charles Burnett’s niece Angela, who also acted in Killer of Sheep [Dir. Charles Burnett, 1977] and Bless Their Little Hearts) lives with her father’s partner, Lani, while he is in Africa ﬁghting in an unnamed liberation movement.
My idea was that art, including ﬁlm, was a means by which a people could engage in a dialogue with itself. Up until then, and especially with regards to motion picture and tele- Introduction | 7 Elyseo Taylor in his UCLA ofﬁce. Collection of Elseo Taylor, courtesy of Renate Taylor. 1. vision, the minority groups had been ease-dropping [sic] in on the dialogue of the white community. [. ] In making their own ﬁlms, the people would [. ] be able to become acquainted with themselves as a community.