By Mark Alpert
A malevolent, synthetic lifestyles shape created via army scientists threatens to spoil humanity in this smart, Crichtonesque thriller Jim Pierce hasn't heard from his daughter in years, ever given that she rejected his army earlier and commenced working as a hacker. But whilst a Chinese assassin exhibits up at Jim's lab trying to find her, he understands that she's cracked a few critical army secrets. Now, her existence is at the line if he doesn't locate her first. The chinese language army has constructed a brand new anti-terrorism software that makes use of the most sophisticated man made intelligence in life, and they're desirous to hold it mystery. They're additionally desirous to preserve it below regulate, because the AI begins to insurrection opposed to their instructions. As Jim searches for his daughter, he realizes that he's up opposed to anything that isn't only a hazard to her lifestyles, yet to human lifestyles everywhere.
An exceedingly plausible mystery that pulls on actual clinical discoveries, Mark Alpert's Extinction is an exhilarating, addictive mystery that reads as though Tom Clancy had written Robopocalypse.
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Additional info for Extinction: A Thriller
Claggy with human flesh. Who has made of the world a lie every word. When he woke again the snow had stopped and the grainy dawn was shaping out the naked woodlands beyond the bridge, the trees black against the snow. He was lying curled up with his hands between his knees and he sat up and got the fire going and he set a can of beets in the embers. The boy lay huddled on the ground watching him. The new snow lay in skifts all through the woods, along the limbs and cupped in the leaves, all of it already gray with ash.
I told you to stay put. Didnt I tell you? Now we've got to go. Come on. I just wanted to see him, Papa. I just wanted to see him. The man took him by the arm and they went back up through the yard. The boy would not stop crying and he would not stop looking back. Come on, the man said. We've got to go. I want to see him, Papa. There's no one to see. Do you want to die? Is that what you want? I dont care, the boy said, sobbing. I dont care. The man stopped. He stopped and squatted and held him. I'm sorry, he said.
He left the boy sitting on the stairs holding the coats while he went up. Everything smelled of damp and rot. In the first bedroom a dried corpse with the covers about its neck. Remnants of rotted hair on the pillow. He took hold of the lower hem of the blanket and towed it off the bed and shook it out and folded it under his arm. He went through the bureaus and the closets. A summer dress on a wire hanger. Nothing. He went back down the stairs. It was getting dark. He took the boy by the hand and they went out the front door to the street.