Download Gender And War in Twentieth-Century Eastern Europe by Nancy Merriwether Wingfield, Maria Bucur PDF

By Nancy Merriwether Wingfield, Maria Bucur

This quantity explores the function of gender on either the house and battling fronts in japanese Europe throughout the First and moment international Wars. by utilizing gender as a class of research, the authors search to reach at a extra nuanced knowing of the subjective nature of wartime adventure and its representations. whereas historians have lengthy equated the combating entrance with the masculine and the house entrance with the female, the members problem those dichotomies, demonstrating that they're according to culturally embedded assumptions approximately heroism and sacrifice. significant subject matters contain the ways that wartime studies problem conventional gender roles; post-war recovery of gender order; collaboration and resistance; the physique; and reminiscence and commemoration.

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Extra info for Gender And War in Twentieth-Century Eastern Europe (Indiana-Michigan Series in Russian and East European Studies)

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In highlighting gender as a category of analysis, the case studies in this collection expand our understanding of war not only in twentieth-century eastern Europe, but throughout Europe more broadly, because consideration of the eastern fronts may enhance conclusions about the world wars based only on the west. Rather than portraying women solely as victims of war, with their insistence that women do have agency, some essays contradict the traditional privileging of male wartime agency. Moreover, some authors also highlight the fact that female agency does not necessarily represent a positive force.

Upon returning to Vienna in June, she was informed that Francis Joseph would like to see her immediately. Arriving in Schönbrunn in the midst of the Brusilov offensive catastrophe, Revertera expected to see a broken old man. However, she found Francis Joseph in sharp wits, and he questioned her attentively about the condition of the prisoners in Russia, complaining that he never seemed to get straight answers from bureaucrats. He was particularly interested in the condition of his of¤cers in captivity.

The wounded prisoners, crippled and in rags, attempt to reach the Swedish nurse and touch her. She appears not to be afraid to grasp an ailing POW with her left hand, although her gaze is directed at the viewer of the painting and not at the prisoners. She is thus represented as an important part of the narrative, yet in a certain way also outside of it. Her extended hand invites the viewer in, a bridge between those at home and the POWs. ” and an accompanying poem commemorates Brändström as morning light which follows a dark night.

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