Download Il ’Carmen Saliare’: Indagini filologiche e riflessioni by Giulia Sarullo PDF

By Giulia Sarullo

The Carmen Saliare is among the such a lot confusing texts of historical Latin culture. This ebook bargains a brand new remark of the surviving fragments of this hymn and addresses different matters it poses from linguistic, philological and cultural issues of view. The research of all of the tales indicates new interpretative paths that shed new mild at the textual content and support to raised comprehend the complicated puzzle of the Carmen Saliare.

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Extra resources for Il ’Carmen Saliare’: Indagini filologiche e riflessioni linguistiche

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Entrambi i capitoli sono corredati di tabelle sinottiche che permettono una pi` u rapida consultazione delle diverse edizioni e interpretazioni suddivise per blocchi cronologici. 52 Riportiamo qui la lezione emendata del frammento, non quella tradita dai testimoni del De Orthographia, per consentire una pi` u agevole comparazione con il verso dell’Odusia. 53 Giulia Sarullo, Gli esordi dell’epica a Roma: Livio Andronico e Gneo Nevio, in Il lessico della classicit` a nella letteratura europea moderna.

Il gi`a ricordato passo di Varrone in De Lingua Latina VII, 3 e la frase con cui Scauro introduce il fr. 3 in De Orthographia VIII, 6 = 28K: ut Numa in saliari carmine, nonch´e il Saliare Numae Carmen di Orazio, Epistulae II, 1, 86. 46 Le forme verranno discusse nel corso dell’analisi dei frammenti. Per le osservazioni sul quadro linguistico che emerge dalle testimonianze saliari si rimanda al Capitolo 5. 47 La bibliografia sull’argomento `e sterminata. Si veda da ultimo Angelo Mercado, Italic Verse: a Study of the Poetic Remains of Old Latin, Faliscan, and Sabellic, Innsbruck: Institut f¨ ur Sprachen und Literaturen der Universit¨at Innsbruck 2012.

1 dell’Odusia di Livio Andronico Virum mihi, Camena, insece versutum, che peraltro `e composto dallo stesso numero di sillabe; in entrambi ritroviamo uno schema con simmetria assiale, nel quale un nome proprio, solitamente un teonimo, si trova al centro del verso immediatamente prima della cesura e dunque in una posizione di rilievo. Questa struttura `e spesso accompagnata da allitterazioni o omeoteleuti che legano fra loro le parole dei due emistichi53 , come avremo modo di notare nell’analisi del frammento in questione.

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