Download Juan Bermudo by R. Stevenson PDF

By R. Stevenson

BERMUDO on my own of the numerous Spanish theorists and composers of the sixteenth century turns out to have written something particularly for brand spanking new international use. all of the extra becoming is it, then, to have accomplished this monograph in part of the Spanish Indies that was once stirring each Andalusian's mind's eye through the days whilst he was once first sending his books around the Atlantic. In each manner his used to be a striking character. He was once the 1st to compose and post any organ song in Spain. as though the booklet of such tune in staff-notation weren't adequate he additionally released the 1st Spanish keyboard piece in tablature. He used to be the 1st in Spain to print any tune in ranking. he's stated by means of Pincherle because the first to put up a harp strategy anyplace. He pioneered with the 1st treatise in particular designed for girl use. He additionally "enjoys" the excellence of getting develop into in Tapia's Verge! de Musica (1570) the main ruthlessly plagiarized author in Spanish musical heritage. If bulk determines preeminence he stands above even Tomas de Santa Maria - who released just one quantity, and that containing significantly much less textual content. If diversity of pursuits determines rank not anyone else writing in Spanish in the course of his century even ways him. Nor does a person else in Spanish have such a lot of gurus at his fingertips.

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Just as one among two or three was about to be chosen, Silvestre (still wrapped in his cloak) appeared in their midst and offered to play. The archbishop graciously refused, saying that enough had been heard already. Silvestre however persisted, explaining that he had travelled many leagues, ten that very day, to arrive on time. Besides, notices of the competition had gone out through all the realm. The canons were all for refusing him a chance to play (they having not yet eaten during the day).

2, of the 1555 Declaraci6n Bermudo appeals to Avicenna as an authority on the therapeutic powers of music. Miguel de Fuenllana (Orphinica lyra [Seville: Montesdoca, 1554], fol. +iij cites the same dictum from Avicenna: mitiga todo dolor. Overleaf (fol. 8v. col. I), Bermudo cites an equally famous dictum of Alpharabius: Dios nos puso esta semejanfa con La musica: para que facilmente La deprendiessemos,y con ella Le siruiessemos. 2 Not 21. ) 3 Cf. Ficino's De Musica (Opera ... omnia [Basel: Henricpetrus, 1576], p.

After almost 20 years at Barletta he was translated to nearby Brindisi, November 26, 1571. 2 Bermudo establishes beyond doubt the identity of the Bernardino de Figueroa, royal chapelmaster of Granada, with the archbishop when he uses at fo1. + 7v. of the 1555 Declaracion this phrase: siendo electo en Arfobispo. ) counsellors, having listened to them all, at last descended from the galleries to make their decision. Just as one among two or three was about to be chosen, Silvestre (still wrapped in his cloak) appeared in their midst and offered to play.

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